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He raps raggedly, and Boi-1daвЂ™s production hits hard, a swaggering march. On this track, heвЂ™s uncommonly furious about all of it. HeвЂ™s a millionaire 18 times over, a black man almost universally beloved, whoвЂ™s seen in his honesty to be some sort of release point for anger and guilt. And in AmericaвЂ™s ongoing reckoning with racial doublespeak and exploitation, Lamar is exceptional in every way. It was released during a bloody season, the spring of Walter Scott and Freddie Gray. Kendrick Lamar, вЂњThe Blacker the BerryвЂќД¬ompressing a novelвЂ™s worth of social nuance into a five-minute grenade launch, вЂњThe Blacker The BerryвЂќ is the most politically direct track on Kendrick LamarвЂ™s resistant, mystical, prophetic third album, To Pimp A Butterfly. It was the world-conquering single Drake needed to put the Meek Mill feud in his rearview, and everything about it - the tell-me-more title, the instantly iconic cover art, the confidence of cutting his final chorus off and just letting the beat rock a little longer - proved that he was still Jari Kurri with the shot, boy. But with Drizzy skating over the tap-tapping beat and organ swivels lifted from Timmy Thomas, the song achieved a light-hearted jubilance unheard from the singer/rapper since 2010вЂ™s вЂњBest I Ever Had,вЂќ tied together with AubreyвЂ™s masterful use of vocal call-outs (вЂњ I know when that hotline bling!вЂќ вЂњ Ever since I left the city, you!вЂњ) to release the beat. With its tired narrative thrust - good girls, why oh why do you still insist on feigning badness in DrakeвЂ™s presence? - вЂњHotline BlingвЂќ couldвЂ™ve easily been an eye-roller, a heavy-handed triviality dismissed as a D.R.A.M. Run away with us, itвЂ™s gonna feel so good.ДЇitting that the best and biggest pop song by the greatest Canadian MC of all-time should sound like the worldвЂ™s dopest Zamboni music. Read on to our picks for the 101 best songs of 2015, and see how we balanced the massive with the intimate, the self-aggrandizing with the self-deprecating, the iconic with the iconoclastic.

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But as usual, SPIN found just as much joy in the spaces between, whether it be an Oscar-nominated child star trying her hand at Top 40, a series of gifted singer-songwriters exhuming the spirit of вЂ™90s post-grunge for Buzz Bin-worthy alt jams, or an unnaturally ebullient rapper emerging out of nowhere - well, Paterson, New Jersey - to become the peopleвЂ™s champ (and unavoidable voice) of hip-hop radio.

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1, peaked with Drake and Future super-teaming at the same time that Ryan Adams ensured that Taylor SwiftвЂ™s 1989 got its full 12 months in the news cycle, and ended with Adele serving as the music industryвЂ™s one-woman Black Friday. The Hills were alive with the sound of music in 2015, a period dominated by pop monoliths - the year started with Mark Ronson and Bruno Mars threatening the all-time record for weeks spent at No.

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